Give My Regards to Woodcarvers

Give My Regards to Woodcarvers

EUKARYOTE


Information

EUKARYOTE will hold a group show from Friday, July 17, 2026, to Sunday, August 9, 2026.

holiday

Monday/Tuesday

design

HOO VOO


Renta Sato

1991 Born in Miyagi
2024 Kanazawa College of Art. B.A. Fine Art Sculpture
2026 Kanazawa College of Art. M.A. Fine Art Sculpture

Solo Exhibitions
2026 “☆” (POOL SIDE GALLERY/ Ishikawa)
2022 “Peace” (RIVER / Ishikawa)

Selected Group Exhibitions
2026 “Kanazawa College of Art Graduation Exhibition” (21st Century Museum of Contemporary Art/ Ishikawa)
2025 “R&T” (POOL SIDE GALLERY/ Ishikawa)
2024 “Pie in the sky” (koen/ Tokyo)
2023 “Ⅱ” (HIINA COLLACTION/ Ishikawa)
2021 “R&T exhibition” (Geishuku/ Ishikawa)

Naohiro Takahashi

1991 Born in Hokkaido
2015 Kanazawa College of Art. B.A. Fine Art Sculpture
2017 Kanazawa College of Art. M.A. Fine Art Sculpture
2020 Kanazawa College of Art. D.A. Fine Art Sculpture

Solo Exhibitions
2025 “The Infrastructure Hu/Man and the 3Cs” (Tokyo Arts and Space Hongo/ Tokyo)
2022 “standing on the balls of the feet” (EUKARYOTE / Tokyo)
“Undertaker” (Kanazawa Art Gumi / Ishikawa)

Selected Group Exhibitions
2026 “size for two” (NITO/ Tokyo)
2025 “wearing chimera skin” (IN SITU/ Aichi)
“Panoramic Room” (Point of Parallel/ Osaka)
2024 “Chimeric Sculpture Expression” (AKI GALLERY/ Taipei)
“MEMBRANES” (CRISPY EGG Gallery/ Kanagawa)

Taichi Yoshimura

1986 Born in Hyogo
2009 Osaka University of Arts of Art. B.A. Desgin

Solo Exhibitions
2025 “Random encounter” (CAPSEL/ Tokyo)
“High Tide” (Open Contemporary Art Center / Taipei)
“Dig Sculpture” (W:R 568 / Taichung)

Selected Group Exhibitions
2026 “Tell me why” (New Gallery/ Tokyo)
2025 “sonohenniarumono” (Kyoto Art Center/ Kyoto)
“Crack of Kairos and Kronos or Reflections on Existence and Vestige” (THE TERMINAL KYOTO/ Kyoto)
2024 “KOBE ROKKO MEETS ART beyond” (Rokko-Sancho Station/ Hyogo)
“UrbanNesting” (BankART Station/ Kanagawa)


MORE EXHIBITION


EUKARYOTE is an art gallery which has been established in Jingumae, Tokyo, in 2018. Within the concept of something more than an occurrence of art, there is an ever spinning contemporary coin of tangibility and intangibility, and it is this essence, this universal value held by artworks and artists, which is actively accepted but left behind.


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